Getting back to printmaking is a nice change. Even though I don't have access to a press right now, monotypes are always possible. This was painted directly on a glass plate with printmaking ink, then worked over with q-tips, brushes, and rolled-up Saran Wrap to create texture. It is a one-of-a-kind image, as there is no etched printing plate. Transfer to Somerset printmaking paper was done with a rolling pin. Whatever works!